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Introduction	In 1949 the Hollywood Scenic Artists and Title Artists organized Local #816 representing its unique needs. Previously, the members were part of Local 644 of the Conference of Studio Unions (CSU) working in film and theater. The overwhelming majority of Local 644's membership, however, had been made up of set painters and paperhangers and included set designers as well. It was not until the dissolution of the CSU after a long series of bitterly contested strikes that the scenic artists were able to organize exclusively. Those artists had been pioneers in their field, responsible for devising and developing the methods used to create representational scenery unsurpassed anywhere in the world. Currently they are members of the Art Directors Guild, IATSE #800.

Introduction

In 1949 the Hollywood Scenic Artists and Title Artists organized Local #816 representing its unique needs. Previously, the members were part of Local 644 of the Conference of Studio Unions (CSU) working in film and theater. The overwhelming majority of Local 644's membership, however, had been made up of set painters and paperhangers and included set designers as well. It was not until the dissolution of the CSU after a long series of bitterly contested strikes that the scenic artists were able to organize exclusively. Those artists had been pioneers in their field, responsible for devising and developing the methods used to create representational scenery unsurpassed anywhere in the world. Currently they are members of the Art Directors Guild, IATSE #800.