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Introduction	We are all authors. We are more particularly narrators, historians, taletellers. Each of us creates a narrative that he or she is. None of us live without a history; each of us is a narrative. We are always standing someplace in our lives, and there is always a tale of how we came to stand there, though few of us have marked carefully the dimensions of the place where we are or kept time with the tale of how we came to be there. “Each of us is a narrative. A good part of the time we can live comfortably adjacent to or across the way from other narratives. But sometimes another narrative impinges upon ours or thunders around and down into our narratives. We can’t build this other into our narratives without harm to the tales we have been telling. This other . . . is disruptive, shocking, initially at least incomprehensible, and threatening.” Jim W. Corder Argument as Emergence, Rhetoric as Love

Introduction

We are all authors. We are more particularly narrators, historians, taletellers. Each of us creates a narrative that he or she is. None of us live without a history; each of us is a narrative. We are always standing someplace in our lives, and there is always a tale of how we came to stand there, though few of us have marked carefully the dimensions of the place where we are or kept time with the tale of how we came to be there. “Each of us is a narrative. A good part of the time we can live comfortably adjacent to or across the way from other narratives. But sometimes another narrative impinges upon ours or thunders around and down into our narratives. We can’t build this other into our narratives without harm to the tales we have been telling. This other . . . is disruptive, shocking, initially at least incomprehensible, and threatening.” Jim W. Corder Argument as Emergence, Rhetoric as Love