Joan Elliott
My blogs
Blogs I follow
- Tamar Zinn
- '80s Art Star Eric Fischl on How Artists Can Find Their Second Act | Art for Sale | Artspace
- 365 Artists | 365 Days
- Arabic Zeal
- Art Blah Blog | Commentary about art and the art world by Andrew Baron
- Awake and Painting
- Curating Contemporary
- DOGOD — Life in 10 Minutes
- EverGreene
- Figure/Ground Communication™
- Gallery chronicle by James Panero - The New Criterion
- Gallery Travels
- Gorky's Granddaughter
- Henri Art Magazine
- Joanne Mattera Art Blog
- Jungian Cinema | A Feast for the Head and the Heart
- Landscape Paintings...Harry Stooshinoff
- Left Bank Art Blog
- LOOK&LISTEN
- New York Art & Design Events, Exhibitions and Reviews | New York Art Beat | NYAB
- Painters On Paintings
- Painters On Paintings
- Painters' Table | Daily Links to Painting Posts on Artist Blogs and Art Websites
- Painting Perceptions
- Ravenna Taylor ><::>< Lagoon
- Secretly Y'all
- Slightly Outrageous
- Slow Muse
- Structure and Imagery
- Studio and Garden
- STUDIO CRITICAL
- taller de pintura creativa
- The Art Room
- The Artist's Periscope
- the salzmines
- The Silo
- theartblog
- Tilted Arc
- Two Coats of Paint
- Valley Haggard: The Write Life
- VCCA
- Virginia / Saxony
- William Eckhardt Kohler- Painting Lives!
Introduction | My interest in working with landscape began with an experience in the Florida Everglades. Overwhelmingly flat grasslands, dotted with dying cypress trees extended endlessly to the horizon. As I looked, my viewpoint began to shift from seeing the field as it was, to seeing it become two dimensional. The grasses became individual strokes of color, a tapestry of calligraphic marks, layered on a rectangular shape. This moment, 25 years ago, was key to my future work – combining abstract sensibilities with a subject I cared deeply about, the land. Striving for a balance between realism and abstraction, the process remains intuitive with each painting undergoing constant change until its final form is found. With a love for the physical paint surface, broad areas of slathered paint are richly applied, to be later sanded, etched into and surrounded by delicate mark making. This progression ultimately results in a landscape defined through a unifying web of maze-like linework. The paintings evolve slowly, gaining substance as they develop a life of their own. |
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