Vatic Note: Remember, these globalists are also Satanists and they are mandated in their religion to tell us in advance what they intend to do to us. I believe this is one of those warnings. It too much resembles the gulf blow out and the warning we received 9 months in advance about its occurrence.
Normally, I would call an article like this one below, "fear porn", but this source has too much credibility to ignore and its not the first time the powers that be have first warned us and then did the dastardly deed. The same globalists also own the movie industry, so they use the movies to tell us what they intend to do and then if we do nothing, we are then responsible for what happens to us.
There was a movie released 9 months before the gulf blow out called "The Knowing" and it starred Nicholas Cage. The movie starts with our lead watching the news and guess what is on the news??? Right, the gulf blow out, but at that time, it had not happened yet, so how did they know and why did they show it happening? Its all part of the game for them. So, the whole thing was manufactured. To me, that alone would be proof enough of their complicity in the criminal act of harming the gulf.
Fortunately, he has listed some of the movies being used, so that we can choose to avoid them like the plague and keep our children from seeing them. What a way to grow up as a child. One of the things our childhood can give us is a period of time in our lives when we are free to explore, test our limits and our courage and be free from fear and hatred.
What these evil ones do to that promise is rob our children of that once in a life time experience to carry with us into adulthood. After that, our lives become ones of responsibility, work, and raising our own families. That wonderful innocent time of childhood is what can carry us through all that we will face as adults.
The evil ones have taken that away from our children. That is why I say, "DO NOT LET THEM GO TO AND SEE THESE MOVIES". It lays the foundation for manipulating us and our culture, in the future, to suit their agenda of both depopulation and creating chaos so we will turn our world over to their care on the promise they make to make all things good again. They are or will be lying as usual.
Anyway, you read this and see what you think. Just keep in mind the fact that they have done this already when they put up the Georgia Guidestones in 1974 announcing their plan to depopulate the planet down to only half a billion humans world wide. That meant they planned on removing 6 billion souls from this earthly domain, sometime in the future. Because we have not prosecuted them for criminal acts they have already committed, they now believe it will be much easier for them to do this depopulation plan and not be held accountable for it.
The most effective tool they have is "FEAR" and they are using it in abundance. Remember "fear" is the mind killer and takes us completely out of our power base which is our consciousness. Out of spirit and into survival mentality, which means we would be willing to harm others to stay alive ourselves and we would act that way ONLY IF WE ARE IN FEAR. I call that fear porn. It promotes self preservation and destroys a sense of community, which ironically, is better for survival of everyone, than going it alone.
Do not let them use it and censor and watch out for what your children watch. Keep them away from all of this. YES, that requires you exercise parental control over your children and teach them as you go as to why you are doing it. Also lead by example. Help others in need, be service oriented and kind, teach them to love their fellow man. I believe that is one of the many reasons these satanists hate Christians and want to wipe them off the face of the planet.
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Be afraid. Be very afraid. Of what may come. Of each other.
If movies and television in the last few years are any indication, we
have so much more to fear in this world than losing a job or a
relationship or our health. Our “entertainment” is telling us that a
terrifying future could arrive at any time in the form of a doomsday
virus that threatens to wipe out civilization and all of us with it.
Over the past decade, the sheer number of movies and television shows
that have focused on killer contagions that threaten humanity with
death or some kind or horrible transformation is reaching—forgive me for
this—epidemic proportions. And there are more being made all the time.
There are so many that it has become impossible to see these shows and
movies as being made simply because the topic is “popular.” Something
else is going on. It’s downright weird.
[Image]These entertainment vehicles seem to be telling us is that the things that hold our civilization together can disappear
overnight. People can turn into vicious creatures, literally feeding
off each other as our emotional connections and our biology betray us.
The more fundamental message we get is: Don’t trust anyone. Fear your
neighbor. Isolation is survival.
Movies and TV shows about killer plagues are not new; they have been
around for decades. In the 1970s, during a very cynical and
anti-establishment time, we had “infectious” David Cronenberg horror
flicks like Shivers (1976) and The Brood (1979), the film version of Michael Crichton’s cautionary novel The Andromeda Strain (1971) and George Romero’s zombie plague in The Crazies (1973).
Of course, Romero really kick-started the modern popularity of zombie films with Night of the Living Dead (1968), Dawn of the Dead (1978) and Day of the Dead
(1985). After 20 years away from the series, Romero discovered the
resurgence of interest in zombies over the past 10 years, so he made
three more films on the subject. And in recent years, Dawn of the Dead (2004) and The Crazies (2010) have been remade. The tagline for The Crazies now is “Fear Thy Neighbor.”
These films and programs are not only showing us what might happen if
a catastrophic viral outbreak were to take place, they are also
introducing us to the idea of what life might be like if society broke
down and we no longer had anything resembling security or technology or
rights.
To try to figure out why we have been seeing this bizarre and
disturbing trend, it is necessary to consider the concept of “predictive
programming.” This refers to the use of entertainment and other
cultural artifacts to introduce us to planned societal changes.
As we
come to see these potential changes as familiar, we also have an easier
time imagining them to be normal, acceptable, and inevitable. Frequently, storylines show us the proliferation of video surveillance,
electronic eavesdropping, RFID chips, facial-recognition software, and
retinal scans to identify us, watch us, and track us. We’ve also become
used to the routine appearance of police in full SWAT gear and the
accompanying depictions of martial law.
The truly dangerous thing is that we’re getting used to all of it—and that’s the idea. When we saw actual
martial law imposed in Boston during the search for Dzhokhar Tsarnaev
after the Marathon “bombing,” we didn’t blink an eye. Media commentators
didn’t even address the question of whether the limited imposition of a
police state was in any way justified. No one seemed to mind that
innocent people were being forced to close their businesses and remain
in their homes, at least until they were forced to leave them at
gunpoint to allow for illegal and unconstitutional searches. It was all
seen as a reasonable response to a “bomber” on the run.
How did our familiarity with martial law through entertainment aid in
our acceptance of this violation of individual rights in Boston? And is
it beyond the realm of possibility that powerful interests that want to
stifle dissent and tighten controls over all of us would exert
influence over which subjects are given vastly increased dramatic
treatment? Is it unreasonable to see entertainment as a form of thought
control? [Image]The Planet of the Apes
series (the first one began in 1968) is now being remade, and guess
what caused the apes to take over the world this time? Yup, you guessed
it. As we see in Dawn of the Planet of the Apes (2014), a virus
sweeps the globe and kills most of humanity. This leads to a shutdown
of all technology, another theme that has become significant with TV
shows like Revolution and Under the Dome.
In the ‘90s we had the TV mini-series of Stephen King’s opus The Stand (1994) and the Terry Gilliam sci-fi fantasy 12 Monkeys (1995)—both of which saw most of humanity wiped out by a virus—and Wolfgang Petersen’s Outbreak (1995), which brought us martial law and the possible bombing of a town to destroy an Ebola outbreak.
When it comes to TV success with the apocalyptic zombie genre, it’s tough to top Frank Darabont’s The Walking Dead,
which debuted in 2010. So it would seem reasonable to suggest that
other producers have simply jumped on the bandwagon. And in some cases
this is undoubtedly true. But one “hit” can’t come close to explaining
the incredible proliferation of these shows. We also have, starting
later this month, a prequel to The Walking Dead called Fear the Walking Dead, which shows how the plague that created all the zombies got started. The catch phrase on the poster is “Fear Begins Here.”
Starting in 2008, The History Channel produced the documentary series Life After People, which looked at what would happen to the Earth if people suddenly disappeared. Another British show called Survivors, which ran from 2008 to 2010, looked at a virulent flu virus that wipes out most of humanity. Then we have The Last Ship
(2014), which follows the exploits of a group of survivors after 80% of
the world’s population has been wiped out by a global viral pandemic. Helix (2014) looked at a viral outbreak in a scientific outpost in Antarctica that turns victims into zombie-like creatures.
Guillermo Del Toro has created another contagion show called The Strain
(2014) that features a plague spread by ancient creatures that feed off
humanity. That one gives us zombies, vampires, and a mysterious
infection all in the same show. One of the heroes is from the Center for
Disease Control, an organization that pops up often in these programs. A
new show called Zoo, based on a James Patterson novel, looks at another pandemic that turns animals against humans. And there is Z Nation, which is about yet another plague that causes yet another zombie apocalypse.
It gets really interesting when we note that shows about plagues in
past decades are being remade now as if we didn’t have enough shows on
the topic already. Both The Stand (2015) and The Andromeda Strain (2008) have been remade as TV mini-series while 12 Monkeys (2015) has been turned into a TV show. Tagline for The Andromeda Strain, “It’s a Bad Day to be Human.”
Starting to get the picture? Starting to see a pattern? We haven’t even really got into the feature films yet.
There have also been many movies in the last few years that combine zombies with the notion of a viral plague. We have World War Z (2013) about a zombie pandemic that threatens humanity with the UN coming to the rescue; 28 Days Later (2002), about animal rights activists who release animals that carry a deadly virus; and the sequel, 28 Weeks Later
(2007), which shows us London under martial law as it tries to regain
control after the plague, only to lose it again.
By the way, World War Z 2 is coming out in 2017. For more examples of zombie/plague movies—and there are a lot—check out the list later in this article. (VN: make sure your children do not go to see these movies, its critically important since they are too young to discern for themselves. This is one time we need to take control and forbid them to see these films.)
But not all plague films deal with zombies; some are just about mass
death and the end of the world that we know. Recently, we’ve had Steven
Soderbergh’s Contagion (2011) with its telling slogan “Nothing
Spreads Like Fear.” Other posters for the film (one shown above) feature
this teaser: “Don’t talk to anyone. Don’t touch anyone.” I kid you not.
Parts Per Billion (2014) gives us an apocalypse for the mature
set (thanks to stars Frank Langella and Gena Rowlands) with its
schmaltzy tag, “When the World Ends, Will Love Survive?” Yuck.
So we have seen epidemics combined with zombies, but we’ve also seen them connected to the idea of an alien invasion in aptly named films like The Invasion (this 2007 film is the fourth based on the 1955 novel The Body Snatchers), The Signal (2014), and Slither (2006), which combines aliens, zombies, and an epidemic.[Image]
In 1982, we had The Thing (which was a remake of the 1951 thriller The Thing From Another World)
and its delightful slogan “Man is the Warmest Place to Hide.” Not
shockingly, this alien contagion thriller was remade in 2011. It appears
that we literally can’t get enough of these films. Ironically, it is the aliens that are infected at the end of War of the Worlds (2005).
We even have comedy and romantic zombie movies like Shaun of the Dead (2004), Zombieland (2009), Warm Bodies (2013) and the TV show iZombie.
Here is a list—undoubtedly incomplete—of films made since 2000 that
deal with people being “infected” with some kind of virus that leads to
horrifying consequences: Dawn of the Planet of the Apes (2014): Some sort of global plague has wiped out most of humanity, giving apes a definite leg up.
Absolon (2003): A virus wipes out five billion
people and the only thing standing between the rest and death is a drug
called “absolon.”
Retreat (2011): A couple in a remote cottage get a
visitor who tells them that an airborne killer disease is sweeping
Europe. Tagline: “No neighbours. No help. No escape.”
Slither (2006): An alien plague infects a small town with really disgusting slithering slug-like things.
Dawn of the Dead (2004): A global plague creates flesh-eating zombies while people hide in a mall.
Azaan (2011): A secret agent must stop “terrorists” who are about to unleash an unknown strain of the Ebola virus.
The Invasion (2007): Aliens use a plague to take over people’s minds and flatten out their facial expressions.
I Am Legend (2007): The last man on Earth talks to
himself a lot and fends off zombie-like survivors infected with a virus
that wiped out humanity.
The Crazies (2010): Residents of a small town
become insane killers after a mysterious toxin infects their water
supply. It’s considered too late to bring in bottled water.
Parts Per Billion (2008): A global pandemic kills millions, and three couples get all romantic and sad about it.
Contagion (2008): Another global pandemic kills
millions very unpleasantly. Revealing tagline: “Don’t talk to anyone.
Don’t touch anyone.”
World War Z (2008): A UN employee attempts to save the day as he tries to find a cure for a zombie pandemic that threatens humanity.
Shaun of the Dead (2008): A light-hearted look at zombies trying to eat everyone in an English village.
Warm Bodies (2008): A romantic comedy about a young woman falling for a surprisingly engaging zombie. A rare optimistic film on the topic.
Cell (2015): A mysterious signal is broadcast that turns people into maniacal “zombie-like” killers.
The Signal (2008): A pulse is transmitted that turns people into maniacal killers: zombies, if you will.
Zombie Apocalypse (2011): A zombie plague kills 90% of the American population.
Quarantine (2008): Residents of an apartment
building are infected with a virus that turns them into bloodthirsty
killers of the zombie variety.
Quarantine 2: Terminal (2011): They thought they
had it contained, but passengers on a plane are infected with the same
virus, and it turns them, as you might expect, into bloodthirsty
killers.
[Rec] (2007): Firefighters enter an apartment
building and are attacked by the victims of a terrifying virus who have
turned into zombies.
[Rec]2 (2009): Cops in riot gear go into the
building with the terrifying virus, and they find out that riot gear
doesn’t work against zombies.
[Rec]3: Genesis (2012): A couple’s wedding is ruined when the guests turn into zombies and kill everyone.
[Rec]4: Apocalypse (2014): They try to isolate a
virus in the middle of the ocean that turns people into zombies, but it
doesn’t work. More zombies.
The Happening (2008): A mysterious plague causes people to begin committing suicide. Many watching this movie had a similar impulse.
Virus Undead (2008): A virus carried by diseased birds causes corpses to reanimate in search of human flesh.
Pontypool (2009): People are driven mad by a virus carried by the spoken word.
Flight of the Living Dead (2007): A virus causes
people to turn into zombies on a plane. (A line you won’t hear in the
film from Samuel L. Jackson: “I have had it with these motherf*#king
zombies on this motherf#@king plane!”)
I Am Virgin (2010): The survivor of a global pandemic is hunted by other survivors. Not sure where the virgins come in.
Blindness (2008): An epidemic of blindness causes
society to break down. People become disagreeable without literally
turning into zombies.
Extinction (2015): They thought the cold had killed
all the zombies, but they were wrong. I guess regardless of the movie,
you still have to shoot them in the head.
Doomsday (2008): A virus kills millions and a wall
is built around Scotland to contain those infected. 25 years later the
virus is back and lots of things get blown up.
Mulberry St. (2006): A deadly infection in
Manhattan causes humans to “devolve into blood-thirsty rat creatures.”
Actual rats are not sure what to make of this.
Resident Evil (2002): A lab accident causes hundreds to turn into flesh-eating creatures. The story continues in Resident Evil: Apocalypse (2004), Resident Evil: Extinction (2007), Resident Evil: Afterlife (2010), Resident Evil: Retribution (2012), and Resident Evil: The Last Chapter (coming in 2016).
Bio-hazard: Degeneration (2008): A Japanese film about a deadly virus being deliberately unleashed.
Cabin Fever (2002): Five college kids rent a cabin and are infected by a flesh-eating virus.
Cabin Fever 2: Spring Fever (2009): A flesh-eating virus is spread through bottled water.
Cabin Fever 3: Patient Zero (2014): The flesh-eating virus is back, this time on an island.
The Roost (2005): The undead arise on a farm.
Carriers (2009): Four friends fleeing a global pandemic find out they are carriers.
The Thaw (2009): An Arctic research expedition releases a deadly prehistoric parasite.
Mutants (2009): A couple hides from the zombie apocalypse spread by a virus only to find one of them is infected.
Last of the Living (2009): A virus turns people into zombies, essentially.
Mission Impossible 2 (2002): Tom Cruise and his team try to recover a man-made bioweapon virus.
Day of the Dead 2: Contagium (2005): Army loses control of bacteriologic weapon that changes human DNA. Conflict ensues.
Infection (2004): A Japanese film about a virus that breaks out in a hospital. You’d think that would be convenient, but it isn’t.
Ultraviolet (2006): A virus gives a woman super powers in the future. (Now this sounds like fun!)
Fatal Contact: Bird Flu in America (2006): An avian flu is transmitted to humans, as the title fully explains.
The Terror Experiment (2010): A terrorist tries to
expose the government’s biological warfare weapon, a deadly virus that
causes people to kill each other as viruses in movies tend to do.
Zombie Strippers! (2008): A zombie epidemic sweeps through a strip club. Still looking for the virgins from the other movie.
The Veil (2005): A town is infected by a deadly virus and military types are sent in to find survivors.
Antiviral (2012): Obsessed fans pay to have viruses
injected from celebrities. If this sounds like the plot of a David
Cronenberg film, it should because it was the directorial debut of his
son, Brandon.
Incredible, isn’t it? Over the top? I would add “disturbing.” That’s
57 movies, and it’s not a comprehensive list. All of these have come out
since 2000 and 50 of them in just the last decade.
Does this simply reflect our anxiety about the state of the world? Is
it a depiction of some of the things we fear most about the future? Or
could it be an effort to cause anxiety, to distract us from the
atrocities routinely carried out by the elites who currently run things
in our world? What is the military-industrial-entertainment complex (as
dubbed by Fox Mulder in an episode of The X-Files) trying to tell us? Is it trying to prepare
us for things to come? Does it want us to be ready to meekly accept
what the horrors that our elite rulers have in store for us?
It’s interesting that in the late 1990s and early 2000s—especially prior
to Sept. 11, 2001—we had a lot of movies that featured aircraft and
asteroids and monsters crashing into buildings like the World Trade
Center. I wonder what they were preparing us to accept then…
And now we have epidemics, including man-made ones, threatening to
wipe out humanity over and over and over again. And in the midst of all
this “interest” in epidemics, we had a real Ebola outbreak in Africa
last year that made a brief appearance in North America. (VN: man made as well.)
Ever get the feeling the powers that be know something we don’t?
It seems that this explosion of films and TV about contagions and
plagues is telling us several things. It tells us that we shouldn’t
worry about fixing the world so that it has justice, peace and freedom;
we should just be glad the lights work and that we can watch football
once a week. The alternative is going back to basics in an effort to
outsmart flesh-eating zombies. No more football, and probably no more
lights.
These movies and TV shows tell us that living in peace, co-operation,
and connectedness with others on this planet is an illusion, a luxury
we can’t afford when survival is on the line. In the end, it’s eat or be
eaten. The message is that we must be suspicious of each other,
mistrustful of each other, isolated from each other, and when it comes
down to it, we have to struggle against each other to survive.
As with all forms of control, it’s about fear. People who are afraid,
don’t question, don’t challenge—they will do what they are told. They
don’t look up the food chain at the psychopaths that are truly feeding
off this world; they look sideways, at their neighbors. And they fear
and suspect them instead. (VN: Ironically, its only through "COMMUNITY" that we all can survive, by helping each other through cooperation.) [Image] The article is reproduced in accordance with Section 107 of title 17 of the Copyright Law of the United States relating to fair-use and is for the purposes of criticism, comment, news reporting, teaching, scholarship, and research.
"What the epidemic of TV and movies about zombies and doomsday viruses is really trying to tell us"
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